I’ve spent seventeen years making things look more expensive than the budget allowed.

Your practice could use some of that.

17

Years of creative for major brands.

5 Max

Clients at any given time. By design.

1

Person. Start to finish. Strategy through final file.

The Gap

The business is good. The injector is skilled, the space is beautiful, the before and afters are real. And then the site loads.

The pattern

The site looks like every other practice within thirty miles.

Because it came from the same template. Same stock photo of a woman with her eyes closed, touching her own face. Same copy that says “natural results, personalized care” without actually saying anything.

What it costs you

You charge premium prices for premium work.

Your website should make someone believe that before they ever call. Right now, for most med spas, it quietly does the opposite. It tells people you’re average. Then your front desk spends the whole consultation call trying to climb out of that hole.

Why lmtcreative exists

That gap - between how good you actually are and how good your presence makes you look.

It is the only thing I fix.

How it works

No handoffs

When you hire lmtcreative, there’s no account manager relaying your notes to a junior designer two time zones away. It’s me, start to finish. Strategy, writing, design, the build, the ad creative. Nothing gets watered down on the way to you.

No filler

I’m not trying to sell you forty deliverables. You need the website to feel like the actual experience inside your practice, the ads to stop the scroll, and the copy to sound like a real clinic that knows what it’s doing. Usually that’s four or five things done right, not a content calendar that turns into stock photo Tuesdays.

Real tools, real judgment

I use AI where it makes the work faster and sharper. The tools are how I keep agency-level work affordable for independent practices. The judgment is what you’re actually paying for.

Seventeen years working on national campaigns taught me that the best creative comes from someone with a point of view, not a consensus reached in a conference room. One voice. One set of eyes. One person who owns the outcome.

On the record

Art Okoro

Creative Director, Gut Feeling

“Larry is one of those rare finds that is skilled at everything and makes it look easy. He’s earned our trust with every project he’s touched.”

Karl Bourke

Creative Director, Comedy Central

“One of the most talented editors I have ever worked with. His work ethic and instincts are unmatched.”

Ready when you are.

Twenty minutes. No pitch, no deck. You tell me what’s broken and I’ll tell you if I can fix it.